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Ghungroo

Social dance nights

The juke joint and the dance hall

The rough back-road bars and big city ballrooms where Black Americans made the blues, swing and many of the dances that went with them.

A juke joint was a small, informal place to drink, gamble, hear music and dance, run by and for Black people in the rural American South. It might be a shack at a crossroads or the front room of a house. In the northern cities the same need was met on a grander scale by ballrooms. Between them, these rooms shaped a large share of the popular dance of the twentieth century.

Migratory laborers outside of a "juke joint" during a slack season, Belle Glade, Florida.
Photo: Marion Post Wolcott, Public domain, via Wikimedia Commons

What it is

A juke joint had a floor of bare boards, a piano or a guitarist, later a jukebox, and food and drink sold from the back. People came on Saturday night after a week of field or mill work. The dancing was close and low to the ground: the slow drag, and many solo steps with names that changed from county to county. City ballrooms such as the Savoy in Harlem had sprung floors, two bandstands and room for thousands, and there the Lindy Hop took shape.

Where it comes from

Juke joints appeared after emancipation, when Black Southerners were shut out of white-owned bars and halls by segregation. The word is often traced to joog, a term in the Gullah language of the Carolina and Georgia coast meaning rowdy or disorderly, though the origin is not certain. The writer Zora Neale Hurston described the jook in the 1930s as the source of the blues and of much Black social dance. When millions moved north, they carried the music and the steps with them.

How it works

Music and dance fed each other. A musician played to keep the floor full, stretched a song when the dancers were with it and changed it when they were not. Dancers answered with new steps, and a step that worked in one town was copied in the next. A few old juke joints still open in the Mississippi Delta, and blues festivals bring visitors to them. The dances live on in blues and swing scenes around the world.

If you go

  1. In the Mississippi Delta, ask locally which juke joints are open. Hours are irregular.
  2. Pay the cover charge at the door and buy a drink. That is what keeps the place going.
  3. Listen first. The room is small and the band is close.
  4. To learn the dances, look for a blues or Lindy Hop class in your own city.

Good manners

  • You are a guest in a community space. Greet people and take your lead from the regulars.
  • Ask before photographing musicians or dancers.
  • Tip the band.

What is danced

Also part of it, and being written: Lindy Hop.

Sources and further reading

About this page

Original text by the Ghungroo desk, written with AI assistance and checked against the sources above. Customs vary from place to place. If we have something wrong, tell us.

Photo credits on this page

The small pictures above come from Wikimedia Commons under free licences. Some are cropped to fit.

The weekly round

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