Sattriya
A classical dance-drama from Assam, rooted in Vaishnava monastery tradition
Sattriya is a classical Indian dance from Assam, created in the 16th century for religious plays in Vaishnava monasteries called sattras. Originally performed by male monks as part of daily rituals and festivals, it now features both men and women on stage, telling stories of Krishna, Rama, and other figures from Hindu epics through expressive movement, gesture, and drama.
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- Created in 16th-century Assam by the saint Sankardev
- Originally performed by monks in Vaishnava monasteries
- Tells stories of Krishna, Rama, and Hindu epics
- Features both energetic and delicate movements
- Uses unique Assamese silk costumes and traditional jewelry
What is Sattriya?
Sattriya is a classical dance-drama form from Assam, India. It began in Vaishnava monasteries, where monks performed it as part of daily worship and festivals. The dance tells stories from Hindu texts, especially about Krishna and Rama, using expressive gestures, hand movements, and dramatic acting. Today, both men and women perform Sattriya, either solo or in groups, on stage and in religious settings. The dance features energetic and delicate movements, and sometimes uses masks or props to show different characters.
Where does Sattriya come from?
Sattriya traces its roots to the 16th century, when the Assamese saint Sankardev created it for religious plays called Ankiya Nat. These performances were part of the devotional life in sattras, the Vaishnava monasteries of Assam. The dance draws on ancient Indian texts like the Nātya Śāstra, which describes drama, gesture, and emotion in performance. Originally, only male monks performed Sattriya as a form of worship, but in the 20th century it moved onto the public stage and became open to all. It was officially recognized as a classical dance of India in 2000.
How is Sattriya danced?
Sattriya includes three main types of performance: pure dance (nritta), expressive dance (nritya), and drama (natya). Dancers use precise hand gestures (mudras), footwork, and facial expressions to convey stories and emotions. The style can be energetic and bold or soft and graceful, with both masculine and feminine qualities. The basic training involves learning sets of movements called Mati Akhara. Performances may be solo or group, and sometimes use masks or props to show different characters from the stories.
Sattriya, drawn
The music of Sattriya
Sattriya is accompanied by devotional songs called bargeets, composed in classical ragas. The main instrument is the khol, a two-faced drum unique to Assam, producing both high and deep sounds. Cymbals of various types and the flute are also used, along with violin and harmonium in modern performances. The music supports both the rhythmic dance and the storytelling, with songs often describing episodes from the lives of Krishna or Rama.
Costume and what is carried
Traditional Sattriya costumes differ for men and women. Men wear a dhoti, chadar (scarf), and a turban, while women wear a ghuri (skirt), chadar, and kanchi (waist cloth). Costumes are often made from Assamese silk, with local motifs and bright colors for certain roles. Dancers wear traditional Assamese jewelry and sometimes white flowers in their hair. Masks and character-specific costumes are used in dramatic plays, especially to show demons or special figures.



When and where Sattriya is danced
Sattriya was originally performed by monks in monasteries as part of daily rituals and to mark special religious festivals. Today, it is also presented on stage by trained dancers, both men and women, and is taught outside the monastic tradition. The dance continues to be an important part of religious and cultural life in Assam, and is performed at festivals, cultural events, and on national and international stages.
Styles of Sattriya
Sattriya includes several styles, such as Sutradhara, which tells stories with commentary, and character-specific forms focusing on Krishna, Radha, and other figures. The Ankiya Nat subgenre consists of one-act plays with dance, drama, and song. Costumes and movements vary according to the character and story. Over time, Sattriya has adapted to stage performance and now includes both traditional and modern elements.
What Sattriya means
Sattriya is closely tied to the religious life of Assam's Vaishnava community. It expresses devotion and ethical values through dance, music, and drama. The tradition of mask-making is unique to Sattriya culture. Once limited to monasteries, the dance is now recognized as a symbol of Assamese identity and Indian classical arts, and is performed worldwide. Its inclusion as a classical dance in 2000 helped preserve and promote the form.
Questions people ask about Sattriya
Where does Sattriya come from?
Sattriya comes from Assam, a region in northeast India. It was created in the 16th century for religious plays in Vaishnava monasteries called sattras.
When and why is Sattriya performed?
Sattriya was originally performed as part of daily rituals and special festivals in Vaishnava monasteries. Today, it is also presented on stage at cultural events and festivals.
Who can perform Sattriya?
While Sattriya was once performed only by male monks, it is now danced by both men and women, inside and outside the monastery tradition.
What stories does Sattriya tell?
Sattriya performances tell stories from Hindu texts, especially about Krishna, Rama, and episodes from the Mahabharata and Ramayana.
What music and instruments are used in Sattriya?
Sattriya is accompanied by devotional songs called bargeets, with instruments like the khol drum, cymbals, flute, and sometimes violin and harmonium.
Good reading and sources
- Sattriya on WikipediaEncyclopedia
- More photos and video on Wikimedia CommonsPhotos and video
- Wikidata recordOpen data
- Videos of Sattriya on YouTubeSearch results, not chosen by Ghungroo
The facts on this page come from the Wikipedia article "Sattriya", written by its contributors and used under the CC BY-SA 4.0 licence, and from its Wikidata record (CC0). Ghungroo rewrote the text in its own words, with AI assistance, and compares every page with the article to make sure no passage is copied. It may be reused under the same CC BY-SA 4.0 licence with a link back.
It may contain mistakes, and it describes the dance in outline: it is not a lesson. Traditions differ from one teacher, village or family to the next. If something is wrong, tell us. Last refreshed 2026-10-03.
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