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Ghungroo

🇮🇳 The dances of India

61 dances from India, best known first, across 80 cities and regions.

India's dances fall into two broad groups, classical and folk. The classical styles follow the Natya Shastra, an ancient Sanskrit text on performance, while folk forms live by word of mouth and local custom. Every region made its own, and film dance carried the habit far past the subcontinent.

  • The Sangeet Natak Akademi recognizes eight classical dance styles.
  • The Dancing Girl figurine from the Indus Valley is dated to about 2500 BCE.
  • The Natya Shastra runs to roughly 6,000 verses in 36 chapters.
  • Kathak has three regional forms: Jaipur, Benares and Lucknow.
  • Kuchipudi was once danced only by male Brahmins, who took female roles.

Dance in India

India has many dance forms. People usually sort them into two big groups: classical and folk. Each began in a particular place, shaped by local custom, and picked up ideas from elsewhere in the country over time. The Sangeet Natak Akademi, the national academy for the performing arts, calls eight styles classical. All of them trace back to the Natya Shastra, a Sanskrit text on performance, and to Hindu religious practice. Folk dancing is far more numerous and shifts from state to state and community to community. Some artists today blend classical, folk and Western movement. Indian dance has reached other parts of South Asia and Southeast Asia as well.

Classical, court and temple dance 14 dances

Classical Indian dance is dance-drama, a kind of total theatre. The performer carries a story through gesture, and most classical pieces retell Hindu myth. A style is judged well done when it stirs a rasa, an emotion, in the audience by way of bhava, the mood carried in face and body. The Natya Shastra, an old Sanskrit manual, lays down the rules, and every recognized classical style keeps to them. Learning runs through a guru-shishya parampara, a teacher and pupil line, and takes years of text study, exercise and rehearsal with singers and an orchestra.

Folk and regional dances 45 dances

Folk dances are countless in number and style. They live in oral tradition, picked up by watching and joining in rather than from a written text, and handed from one generation to the next. Their steps, songs and occasions belong to a particular state, ethnic group or landscape, so they shift as you travel across the country. A semi-classical dance is one that carried a classical stamp once but drifted into folk practice and lost its texts or its schools. A tribal dance is the more local sort again, held by one community, and over a long period it may widen into a folk dance.

Ritual and ceremonial dance 29 dances

Ritual and worship sit under most of this dancing. The Vedas joined sacrifice to performance: a yajna, the fire offering, was staged almost like a contest, with speakers, sung lines, interludes and a climax. Chapter 13.2 of the Shatapatha Brahmana, from around 800 to 700 BCE, reads as a play between two actors. Temple dancing followed, and the classical styles keep Hindu religious themes at their centre, whether Shaiva, Vaishnava or Shakta. Bharatanatyam and Odissi both began in temple service.

Social and popular dance 5 dances

Films carry dance into everyday life across the subcontinent. Hindi cinema's song-and-dance numbers, often gathered under the name Bollywood, favour a loose, freeform style that borrows from many sources and answers to the camera rather than a stage. Those routines keep a firm place in popular culture. Away from the screen, artists mix classical and folk movement with Western forms in newer work. Classical dance also travels abroad; one performance on the island of Oahu was given by its mayor at a local folklore festival.

Ballet and contemporary dance

Contemporary work in India tends to be a fusion, mixing classical and folk vocabulary with Western movement, sometimes polished and sometimes openly experimental. Training still leans on the old model, a pupil living and learning with a guru rather than in a large institution. The Sangeet Natak Akademi grants classical status and supports these traditions. Beyond India, classical dance is performed in other countries, including at folklore festivals.

Music and dress

Music and dress are woven into each style. Classical performance uses singers and an orchestra, and the dancer's steps are set to their rhythm. Bharatanatyam and Kuchipudi follow Carnatic music, with tala, the rhythmic cycle, and raga, the melodic frame. Kathak dancers wear small bells, the ghungroo, whose jingle marks out their footwork. Kathakali is known for elaborate make-up, costume and face masks. Odissi uses symbolic dress, abhinaya for expression and mudras, the hand gestures. Dancers who read Sanskrit, Tamil, Telugu, Odia, Meitei, Persian or Arabic can reach the older texts first hand.

From region to region

Styles cluster by region. Bharatanatyam comes from Tamil Nadu's temples and is danced mostly by women to Carnatic music. Kathakali, from Kerala, is a story play with painted faces and heavy costume, long the work of men. Kathak belongs to northern, western and central India and once ran through the Mughal courts. Kuchipudi grew in a village of Andhra Pradesh and is tied to Krishna worship. Odissi comes from Odisha's temples, Manipuri from Manipur, Mohiniyattam from Kerala too, and Sattriya from Assam. Beyond the classical eight, tribal dances stay within a single community, and in time some grow into folk dances.

Dance today

Under British colonial rule many of these arts were mocked and pushed aside, and Bharatanatyam and Kathak both suffered. After independence they were taken up again, and Bharatanatyam has become the most widely known classical style at home and abroad. The academy's list of eight gives official standing, and Sattriya holds a place on it. Gaudiya Nritya of West Bengal has no government recognition yet. Film dance keeps the widest audience of all, and teaching still runs through gurus and small schools.

Where this page comes from

The facts in this overview come from the Wikipedia article "Dance in India", written by its contributors and used under the CC BY-SA 4.0 licence. Ghungroo rewrote the text in its own words, with AI assistance, and compares every page with the article to make sure no passage is copied. It may be reused under the same CC BY-SA 4.0 licence with a link back.

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Photo credits on this page

The small pictures above come from Wikimedia Commons under free licences. Some are cropped to fit.

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